Showing posts with label Peter F Castro. Show all posts
Showing posts with label Peter F Castro. Show all posts

Saturday, May 7, 2011

Daffodils and Magnolias

The weather in Wisconsin has been very un-spring like with temps hovering in the 30s and 40s for what seems to be forever now and lots and lots of rain and grey cloudiness which doesn't help an outdoor shooter like myself. The magnolia trees are the first to bloom at the UW-Madison Arboretum and I pretty much wait all winter for this splendid occasion. Next week the flowering cherry trees and lilacs will be blooming. Longnecker Garden pretty much turns into a scene from a fairy tale. Besides using a 24" softbox as key I popped a bare strobe behind the flowers to give them that magical translucent quality to add to the fairy taleness of it all.




Friday, September 3, 2010

My First Cover


So the nice people over at the Isthmus chose my pic over gazillions to be on the cover of the 2010-2011 Annual Manual of Madison, WI.

Saturday, August 7, 2010

Photoadventure 1 and 2

So much to shoot in summer and haven't been updating my post. Larry Chua (iloominimages.com) and I have teamed up to go on "photoadventures" outside of Madison. The first trip was to Parfrey's Glen. It started off just being a landscape shooting trip but decided it might be fun to get some models involved. We have so much fun we decided to continue the series.










Our second trip was to Devil's Lake to shoot at the unique geological features (Devil's Doorway) and incorporate the unique vistas from atop the 500 foot bluff.







Wednesday, July 7, 2010

The dress... and trashing it!


Just about every photog's dream. Beautiful special dress... let's do some crazy stuff with it! I met Amy at a promotional event for the spring edition of Fashion Fridays - Madison's biggest fashion event, which I have shot for 3 shows now. Anyways, we were talking and she mentioned she had done a trash the dress shoot and my eyes got big. She said the dress was still fine so we could use it to shoot another. Yay! But she lives 2 or so hours away. We'll have to plan for the next time she's in town after the fashion show. Our first attempt ended quickly as a massive storm was moving in. Just fired a couple and then watched the city start to flood. We debated but with her long car ride home didn't feel it was worth it as she said she'd be coming back down soon. The idea bombs started exploding but what would I actually be able to pull off without ruining the dress and not being able to shoot anymore knowing we'd end up at my favorite spot in the lake. Since it's such a special event, I decided to use the video function on my K-7 and whip up this little BTS video for ya. Enjoy!

Tuesday, July 6, 2010

The eye mind of a photographer

I was asked to make a piece or two for the Olbrich Gardens Art Invitational for early 2011. Quite an honor as it seems they don't ask many photogs. I was excited then it hit me. My work will be next to some of best artists in the area. Then the next blow. This place is one of the most photographed places in the city if not county (not talking about dad's point and shoot pics at graduation on campus). So I have to create, or "capture" since photographer's aren't "artists," something unique that people haven't seen before that will still represent the essence of being there. I have the rest of the year to figure it out so let's start shooting. First choice, this unique Thai Sala and garden. Boasted as the only one of its kind in N. America. Well, that's unique! There is another in Hawaii, which I have seen, and one in Germany which I have not. People come from all over the world to see it... and photograph it.
Step one: Perspective. There are reflecting ponds on both sides. So those kind of shots have been done. Nothing too original but they have been done with standard lenses and you really can't beat that aesthetic. So I slap my fisheye and bam, something new. The perspective is interesting and especially in vertical mode as the pool's corner is 90 degrees. The fisheye gives it a weird acute angle and some nice framing to lead the eye which you won't get with a standard lens.
Step two: Details. The Sala has a gorgeous ornate ceiling but is lost in shadow. Photographers need to be ready to add light since their job is to "capture light." When you can make, add, subtract, modify and shape your own light, you are really onto something. Otherwise, you have what everybody else has. So I decide to pop a light from the bottom of the center of the Sala up toward the ceiling. Of course I have to do this wirelessly because of the distance and it being out of site/line. I run back and forth a few times to get the right setting on my flash and kablam, I drop it. Don't know how many more tumbles this thing is going to take. Widest setting @ 28mm and full power will do. Now to get this shot before my batteries drain. Look at that gorgeous red and gold contrast. Oh, the Sala is gold plated so now it's glowing from inside and out making it even more magical.
Step three: No blown out skies. First shot exposed for bright spots in clouds fails. No reflection in the water, foreground goes dark. Now what? Could use a graduated ND filter but not on my fisheye. Would have to put it on my 18-55 losing the unique effect from my fisheye. I put a light on a stand and pop the front. I get the pool edges back but still not a good enough reflection but I like the detail I am getting in the cement so I leave it. OK, so I'm going to have to shoot multiple exposures and do an HDR or blending.. which is a slight problem as there is a slight breeze with moving clouds as a storm is coming in and some rippling in the water which may cause problems for my main attraction - the reflection. Luckily my Pentax K-7 has a burst rate of 5.2 FPS which is way better than what I am used to on my K200D which has 3 FPS. I begin to spot meter the bright spots in the clouds and the dark spots. Whoa! A typical 3 exposure deal won't cut it. I meter around and make sure I get one for the reflection as well as darks and brights. 20 minutes or so later since I got there, I push the camera and blast the 6 shots. Phew! That was a lot of work and the mosquitos are fat and happy. I'm just fat and sweaty :) and it's starting to rain so I'll also be wet in a few
Step 4: post/editing:
I do my HDR merge and adjust for my liking. Not happy with the sky so I bring up blue saturation in Photoshop. And there you have it. Not sure if it'll make the final cut but it's a contender.